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My Night at Maud's

Part of a Collection: Six Moral Tales

Six brief affairs of the mind, from one of cinema's great moral philosophers, Éric Rohmer spent the 1960s and early '70s turning his ideas about cinema into film with this septet of stories about temptation and self-deception. Each installment follows a man already committed to one woman who finds himself drawn to another, only to talk himself back to the first — Rohmer's interest lying less in what his characters do than in the elaborate reasoning they use for justification. Shot with an understated, naturalistic eye and narrated in a wry first-person, the films move from the two black-and-white shorts that open the series to the lush, seasonal features that follow, cementing Rohmer as one of the New Wave's most distinct and influential voices.

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My Night at Maud's

My Night at Maud's

IMDb 7.6 HD 1969

Devout Roman Catholic Jean-Louis subscribes to an austere moral code influenced by the philosophy of 17th-century physicist Blaise Pascal. When he spots a pretty girl at church, he promises to one day marry her. But then an old friend introduces him to alluring divorcee Maud. After a conversation about love and credo, the chaste Jean-Louis spends the night at Maud's, conflicted about his desires.