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Gunmen and the Holy Ghost

Part of a Collection: The Holy Ghost Trilogy

In Roberto Mauri’s caper-leaning spaghetti-western trilogy, drifter-gunman Spirito Santo (Vassili Karis) is sprung to engineer a gold robbery in And His Name Was Holy Ghost (1971), then hired by Springfield to take down the masked bandit “Solitario,” enlisting Diego d’Asburgo’s ragtag crew in Gunmen and the Holy Ghost (1972). In Return of the Holy Ghost (1972) he’s set on a bullion-fraud scheme led by a faux Army colonel swapping real ingots for fakes, with Santo outwitting crooks and officials in a breezy mix of shootouts, cons, and comic reversals.

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Gunmen and the Holy Ghost

Gunmen and the Holy Ghost

IMDb 6.3 1972

The authorities of Springfield ask Spirito Santo/Holy Ghost, which in turn will require the help of Diego of Habsburg and his colourful gang, to eliminate the threat constituted by an elusive masked bandit – and arms dealer – known as Solitario.